I really, really like this film.
I also really liked the Cronenberg version of it - the original. And if you don’t think the two are related you didn’t look hard enough, or hear the first dialogue of the film, spoken by one of my favorite actors, Don Cheadle.
The 2005 iteration hits up another angle, about racial cultural segregation from the perspectives people on all sides of the problem, which is noble and something that I think people need to see. Most people think that one side or another has everything to blame for this sort of thing, scapegoating for convenient conscience, and they would be wrong.
As far as the acting and directing it’s good too. There are high profile actors, a lot of them. Yeah Tony Danza is in it. I love that guy. The cinematography is fantastic: its minimalistic, real, not high contrast, not heavily filtered, but clever and effective.
My criticisms of the movie: Why the hell is everyone making these “message” movies? its like wire-fu went out of style or something. Traffic, Crash, Syriana… I’m all for showing the truth from a supposedly unbiased perspective, but what prompts people suddenly to actually want to pay attention to the problems of the world? Blame incompetant governmental systems, blame global turmoil, but what I want to know is how many people actually listen to the messages, instead of venting compassion for two and a half hours so they can ignore it for a while.









on January 31st, 2006 at 1:20 pm #
This film had too many producers. How many people does it take to executively, associately, and co-produce a movie fer god sakes? FOURTEEN.
Message? Hell, the medium IS the message! So sayeth St. MacLuhan.
on March 6th, 2006 at 2:15 am #
And it just won best picture! Thought I’d drag this out of the two month old cabinet and dust it off for the occasion. :D