
“Police! This man won’t stop singing showtunes!”
So, being the swell son of a bitch I am, I didn’t complain (much) about going to see the Sex and the City movie this week. It was…well, interesting in a lot of ways. From what Lindsay had told me (and from the recap montage at the start of the movie), everything had been wrapped up in a nice happy ending at the end of the series. So how do you create conflict where the happy ending is already there? You just throw everything to hell halfway through the movie, then have it all wrapped up nicely by the ending. Not that I expected much more, and not that it would really benefit from something more either. A Sex and the City movie isn’t exactly the place where I would expect, or want really, a very thought provoking and poignant message to come through.
It’s been said in numerous reviews, and it’s probably very true, that fans will love it, and non-fans probably won’t. I tried to keep an open mind, and it was fine for what it was, but nothing I’m too interested in on the whole. The material isn’t exactly Shakespeare but Chris Noth and they guy who plays the red-haired, giraffe-necked lady’s husband clearly come across as the most capable actors in the movie. Noth especially puts a lot of subtlety into his performance that keeps his Big character from being the one-dimensional womanizer/non-commital stereotype that’s so common in movies.
One question wheys on my mind though: don’t her friends mind her writing all this stuff about them in her columns? Lindsay says that they never explicitly say how much of her narration ends up in her stories, which is fair enough, I suppose. But the opening of the movie shows a bunch of different pages of books with their names explicitly named. And, from what I remember of flipping past the show a few times on tv, her narration, in Doogie Howser style, would sync up with her computer screen as she typed the words, also implying that everything said in the narration is in her columns. So are her friends just literary exhibitionists, getting off on the idea of all her readership knowing intimate details of their sexual lives? It certainly adds a nice level of perversion to the dark haired prim and proper chick, that’s for sure.

She’s supposedly Greek, but the whole ninja thing makes me think she’d be Japanese, and she’s played by Jennifer Garner. No wonder nobody cares about Elektra since Frank Miller.
Also this week, I happened to catch the majority of Ben Affleck’s Daredevil, which I have to say, is pretty awful. Aside from issues of characterization (or perhaps the more troubling issue of “Is Ben Affleck really an action star?”), I just plain didn’t like the way this movie was shot. I’ve said it plenty of times, I love it when you lose yourself into a movie, and don’t notice shots or pans unless you force yourself to. In this movie, I was aware of everything the director wanted to do, and I really disliked every choice that he made.

I’ve got the vinyl of this album. “Theme for a Big Green Van” is a classic.
We got around to watching Police Academy and Up in Smoke this past week as well. Good times. Up In Smoke especially is always a nostalgic favorite of mine. Interestingly enough, like Lethal Weapon, Up In Smoke had a similarly hilarious trailer on the DVD.
http://www.youtube.com/watch?v=4Q7bS2Wsz7M
I just find it very heartwarming that not only are they comparing Cheech and Chong to Abbot and Costello, but also that Paramount is basically instructing people to get stoned before coming to see the movie. The juxtaposition of the announcer’s voice and the subject matter he’s talking about is great too.
To finish off this week, here’s a quick review of Lego Indiana Jones.

Basically, if you played the Lego Star Wars games, you’ll like this. The game play here is virtually identical, just with new characters, new locations and new puzzles. And I certainly did like Lego Star Wars, so this one is a fun little romp. It’s also packed with nostalgia for any fans of the original movie series. There’s only a scant few problems with the game, like having the button to enter a vehicle being the same button the change characters. The gameplay can get frustrating at moments when the solutions to puzzles aren’t immediately evident, but that’s matched by the joy of finally figuring out whatever the hell it is you need to do.
Also, Nintendo recently released an updated version of Dr. Mario for the downloadable Wii-ware. It’s Dr. Mario, so I don’t need to tell you it’s some classic puzzle game fun. They’ve added flash mode (where a handful of your viruses are flashing, and you need only get rid of them to win), and a whole new version of the game, Virus Buster. Virus Buster is played with the Wii-mote pointing at the screen, draggin pills around to where you want them manually, and taking advantage of the game’s comparitavely slower physics.
The real fun though is the online mode, where you can take on friends and strangers from around the world. My only beef here is that there’s no online capabilities for the Virus Buster mode, which would have been fun as well. Overall though, speaking as someone who was appalled that Lindsay’s DS can’t play classic Gameboy titles (like the original Dr. Mario) this game is a great value. I think the Wii Points works out to about 10 bucks, which is a good price for the amount of fun playing online is.
We’ve got a month and a bit left until The Dark Knight comes out. I’ll be doing a large wrap up as we get closer to the release date, but for now, I’ll leave you with some new pics that were recently leaked. Man, that scene in the interrogation room is going to be intense.



on July 24th, 2008 at 8:54 am #
unbendable arm
kokyu dosa
Also it suddenly dawned on me yesterday why we were having the hand slipping issue with sayunage. It’s meant to be done with TWO hands. Gods, I need more sleep…